[Capture one pro 12 luminosity mask free download

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Learn about Luminosity Masking with Martin Bailey | Capture One Blog – Style Brushes

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Each full-version release of Capture One software from Phase One offers at least one major new feature as well masm a few minor ones, and Capture One 12 is no exception. Where version 11 added somewhat improved masking tools, version 12 takes a giant step forward by introducing straightforward luminosity masking along with a new radial gradient masking tool and an improved linear gradient masking tool.

Luminosity masks are simply masks that affect certain tonal values in an image. They are incredibly versatile, convenient, and offer a precise way to target tonal values in an image. They allow a rownload level of selecting, adjusting, and compositing images in Capture One. Landscape photographers have struggled for years to create downpoad masks in Adobe Photoshop as a way to adjust the dynamic range of their captures and blend images together. Capture One 12 has simplified this process and downlkad it for use by portrait and wedding photographers.

You can not only create luminosity masks of subjects but can also easily apply the masks to multiple captures. Luminosity masking is found in the Color, Exposure, and Details tool tabs. After creating a luminosity mask, you can use virtually all of the tools in the appropriate tool tab to adjust the masked area. As with all the tools in Capture One, luminosity masking nask a visual experience designed for photographers. After opening an image and navigating to the appropriate tool tab, you apply a new filled layer mask and select the Luma Range button above the layer.

A new window appears with the Luma Range controls. By dragging the upper knobs, you control the range of tonal values for the mask. The mask overlay adjusts dynamically with the changes. The lower knobs control the feather of the mask. Fine-tune the mask with Msak and sensitivity sliders. Luminosity masks are on individual layers so they travel from tool tab to tool tab.

Additional luminosity masks can be added, and existing ones are non-destructive so they can be readjusted at any time. In Capture One 12, luminosity masks can massk copied and pasted into other images to target the same tonal areas as the original.

Effectively, this gives a different mask to adjust the same tonal range in other images, even if the composition is different. For example, imagine you want to mask and adjust the skin tone in a series of portraits from a session.

Create a luminosity mask and adjust one of the images using the Uniformity tools found in the Skin Tone tool of the Color Editor. Then select the other images, open the layers mak, and shift-click the double-headed arrow. The luminosity mask and skin tone adjustments are immediately applied to the capture one pro 12 luminosity mask free download of the images. Very slick. While luminosity masking is the most significant new feature in Capture One 12, others are noteworthy as well.

A new radial gradient masking tool and improved linear gradient masking 112 are found with a click-hold of the Brush tool. Click and drag the radial gradient formerly a brush functionand the ellipse forms from the center. Once the tool overlay is visible, dragging the handles http://replace.me/17498.txt the shape. The new radial gradient tool is ideal for creating fast, precise vignettes, among other uses.

The mask visibility is controlled by the M key, which brings up another feature источник статьи will appeal to keyboard shortcut users—a new keyboard shortcut manager under the Edit menu. There are more than possibilities. Create a new set capture one pro 12 luminosity mask free download copies all capture one pro 12 luminosity mask free download the default shortcuts, then продолжение здесь existing shortcuts or add new ones.

A complete list of shortcuts is visible by clicking the Summarize tab. As a longtime frer of Capture One, I noticed that the interface looked a little different. Sure enough, the silver type on a deep black background luminoisty replaced by white type on a warm charcoal gray background. The icons are larger and a few are redesigned, the cursors are larger, as are the fonts and the thumbnails in the batch queue.

These make the capturd seem cleaner and more legible, particularly on large, high-pixel-count monitors. The interface remains extremely customizable. You can drag tool palettes from their docked position anywhere on the monitor or onto another monitor or hide them until needed.

The toolbar, other than the default toolset, is also customizable. Users продолжение здесь to Capture One from other applications have the benefit перейти на страницу a superb luminsoity of kaskavailable from the Help menu, to get started with the program. I encourage new and existing users to make use of the extensive video tutorials on the Phase One website to get up to speed on the luminosoty and the latest features in version capture one pro 12 luminosity mask free download Capture One Pro subscribers can download the new version at no cost.

Stan Sholik is a photographer and writer in Santa Clemente, California. Convert raw file data into RGB images while reducing image noise frre applying optical corrections.

 
 

[Capture one pro 12 luminosity mask free download

 

Having been a long time user of Lightroom, Usnea investigates the pros and cons of making the switch to Capture One Pro. We live in a world where Adobe Lightroom is the industry standard for serious photographers, and many of us have used it for years.

Now that Adobe products are available only by subscription, many photographers are looking for an alternative. OnOne and Luminar are both looking for their share of the market, but Capture One Pro has long been the best professional Lightroom alternative , and many photographers are now turning to it.

My long background in Lightroom and Photoshop make me a bit of a hard sell. Capture One is a professional-grade photo editing software designed for pros and serious enthusiasts. It was first created with tethered image capturing in mind, but quickly branched out to a more full-fledged image processing program. Now it offers exceptional RAW image file processing, image cataloging, layers, local adjustments, keystone adjustments, as well as just about all the features one would expect out of a pro image editing app.

The paid versions all have a free day trial period, and I highly recommend you use this to have a play around. There are several versions of Capture One, each with various other options to choose from, which can make the initial download process rather confusing. See latest price here. Even if you own Sony or Fujifilm cameras see below your best best is to download the free trial of the full version of Capture One Pro 12 here, with support for over different cameras.

In Capture One Pro, there are plenty of options when right-clicking. Every program takes some getting used to, and Capture One is no exception. Instead, everything sits in one interface and you toggle through buttons to change functions.

Right-click options and short-cuts abound, and like Photoshop many of the tools have a number of other options when you right-click on their buttons.

Here the film strip is on the bottom, similar to a Lightroom layout. Making the transition from Lightroom? Simply put your filmstrip on the bottom panel and the adjustment panels to the right. You can even assign the same keyboard shortcuts to Capture One Pro as you use in Lightroom. This is particularly awesome if you have an established workflow and know what you use the most.

All this being said, the high learning curve often has me frustrated. Simple things like renaming files or switching from grid to single image view are different in Capture One and they all take some getting used to. Capture One Pro is feature-rich with just about everything a photographer needs in an editing app. As far as photo editors go, there are a couple of places where Capture One just rocks it.

Here are a few of the other advantages of using Capture One Pro over Lightroom, or most of the other image editing softwares out there:.

Each brand has their own special recipe for rendering RAW files, but Capture One has long been known for being exceptional. Take a quick look at the video below to see how the photographer uses Capture One Pro to edit high-end fashion portraits. As far as the level and selection of standard adjustment tools are concerned — exposure, contrast, shadows, highlights, white balance, and so on — Capture One is up there with the best.

Some things are done differently, however. To edit straight-up saturation you need to go to another tab. Capture One Pro comes with an excellent Keystone adjustment. Pro only, not Express. There are plenty of useful autocorrect options for just about every tool, and these work better than my version of Lightroom. The auto levels adjustment seems particularly spot on. The Express version is obviously a bit more limited.

Capture One has these too. When you use layers in Capture One Pro , you can make targeted adjustments to your photos and still use the majority of the image editing tools available, not just the ones in a given tool. This is a huge benefit for those who like a fine level of control over photo manipulation. For mask creation you can paint them in manually, create a linear gradient mask, or a radial gradient mask similar to Luminar, actually.

It also offers a feathering tool and edge refinements. The Luma Range feature in Capture One Pro is a particularly useful way of selecting areas of an image. Everything from Levels to Color Balance tools work in layers, and you can adjust the opacity of each edit layer — something that can only be done by way of a third party plugin in Lightroom see these Lightroom Tips for more info.

This latest version of Capture One Pro 12 now has luminosity masks. From there you can adjust the affected color range, hue, saturation and lightness. The 3-Way option even lets you adjust the color tint separately in the shadow, midtone and highlight areas.

Do you want to affect the blues in your photo, but not the blue-greens? Need to smooth out the skin tones? No problem. Simply choose the Skin Tone tab, select a color range, and adjust the uniformity sliders.

The Express version just has the Basic tab. However, if you want to have complete control over your color , Capture One certainly wins hands down over Lightroom and everyone else in the same niche. If you shoot in a studio, odds are you know the value of shooting tethered.

Most studio photographers who shoot tethered already use Capture One. Tethering features in Capture One Pro makes it the obvious choice for studio photographers. With it you can control just about everything via the tether, including details as particular as the flash curtain sync mode. If you were ever thinking of shooting tethered, Capture One is the editing software to try first. It also just looks better — almost on par with Photoshop which is where I usually do my more difficult spot healing.

If you send your work off to an editor or work with a team, Capture One Pro has an annotations feature that makes collaboration much easier. Definitely helpful for collaborative editing or sending an image with notes off to a client. Capture One allows you to organize according to your photography sessions instead of of using the catalog. Many say that Capture One actually outperforms Lightroom in terms of both speed and stability.

There are several Styles available by famous photographers, helping you emulate their color grading. One of the huge benefits of using Fujifilm X-series camera are the built-in film simulations like Acros, Classic Chrome, Velvia etc. Capture One 12 now adds the ability to change the starting point of your editing to one of the film simulations, as Curves within the Base Characteristics Tool.

There are a few places where Capture One falls short. For those of us who use them regularly, this could be an issue.

Into Nik or Topaz filters? No go. Use any of the fantastic portrait packages out there? Too bad. Capture One only has a few third-party plugins and no ability to do HDR or panoramas. No fun. One thing new in version 12, though, though, is export plug-in support.

The history panel is a tool I use often. While Capture One lets you undo edits and easily reset adjustments more easily than Lightroom, actually , not having a history panel really cramps my style. There are workarounds, like creating a number of clone variants, etc.

One of these is that when I rename a file, it moves to somewhere else in the catalog, which can get annoying when trying to compare a series of photos.

This bothers me, as it forces me to go to another program if I need one. There are also no online sharing options, which will definitely affect some folks.

The bottom line? Studio photographers might also choose to organize by sessions rather than the catalog. Also, if you need precise and powerful keywording options, Lightroom has this part nailed.

However, you are able to buy Capture One Pro 12 outright, which is more than we can say for Lightroom…. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. The products in this post may contain affiliate links.

Usnea Lebendig is a travel and landscape photographer who loves trekking in the wilderness, exploring other cultures, and using photography for social activism. Capture One Review. Last Updated: July 3, Highly Recommended. See More Reviews. Check current price. Twitter 20 Facebook 2 Pinterest Usnea Lebendig.

 

[Capture one pro 12 luminosity mask free download

 

The tool is very flexible and easy to use. It can potentially save you of a lot of round trips to either Photoshop or Affinity Photo, by allowing you to create luminosity masks directly in Capture One Pro In this article, you will learn how to use the Luma Range tool in Capture One.

The Luma Range tool in Capture One allows you to create a mask based on the brightness values. This comes in handy when you have an image, where you want to enhance the structure or exposure of the areas that fall within the same brightness values.

It could be a bright sky or shadow areas. One of the great things about the Luma Range tool is that you can control how quickly the selection fades, so you avoid getting disrupted edges between the changes you make with the selection and the rest of the image.

The Luma Range tool is basically the same as using luminosity masks in Photoshop , just much easier to control. It is also quite similar to the range mask tool that you can find in the newer versions of Lightroom CC. The Lumar Range tool in Capture One gives you the possibility to create complex masks in very little time.

Like for instance, with this waterfall image above, you can in a matter of seconds create a precise mask of the flowing water without selecting the rocks. At any time during post-processing, you can come back and adjust the luminosity mask, if you feel that it includes too much or too little. In Capture One Pro 12, you can go to the exposure tab or any other tab that shows the Layer Tool, to add the luma range mask.

This creates a new mask that covers your entire image. This brings up the Luma Range dialogue, which allows you to control everything about the luminosity mask.

You will see a bar with luminosity values. Just like a histogram, it has shadows to the left and highlights to the right. See the two topmost arrows in the screenshot. As you drag these handles towards the middle, the mask that covers your image begins to diminish, so the ranges that are left out of the luminosity mask no longer is covered with the red mask overlay.

Everything between these two top range-handles is included in the luminosity mask. At the bottom of the bar, you have the falloff handles that gives you control of the edge transition of the mask. See the two arrows at the bottom of the image in the screenshot. If you want to have a softer edge transition, you can pull the shadow falloff handle to the left so it includes more shadows. Likewise, you can pull the brightness falloff handle towards to right to make the transition span over a greater brightness range.

If you hold down the Shift key while adjusting a falloff handle, you will adjust both the shadows and highlight falloff ranges simultaneously. If you need to adjust the entire range, you can move it by placing the cursor in the center of the range and left-click and drag it to where you need to.

If you pull the Sensitivity slider to the right, the mask becomes more refined towards the edge of the mask. If on the opposite, you bring the Sensitivity slider to the left, the edge of the mask becomes softer.

Sometimes it is easier to see how the luma range is applied if you view the mask in grayscale. In the Layers tool, you can see that the layer has a luma range icon to imply that a luminosity mask is applied to the layer. If you need to tweak the luminosity mask at any point, select the layer and click on the Luma Range button to edit it.

When you are satisfied with the lumonisity mask, you can add all the different adjustments like you normally would in Capture One Pro 12 to affect the areas selected by the luminosity mask. This could be changing the clarity or structure of the waterfall or modifying the exposure, color tones, sharpness or noise levels if that is needed. As long as the correct layer is selected all adjustments you make to your image will respect the luminosity mask applied to the layer. After applying a luminosity range mask in Capture One, you might want to modify it further by using some of the other masking tools.

If you at a later time want to include the object again and paint it back in with the brush tool, then the brush tool will respect the luma range applied to the masking layer. Note that this will also prevent you from using the brush freely on the same layer, where the luma range is applied. In general, though, it is a huge advantage that you can modify the mask with the brush and eraser, but still respect the luma range. If you want to work outside the luma range mask, you need to rasterize the mask before you can work freely with the brush tool on the same layer as the luma range.

Before rasterizing the mask, you need to make sure that you are finished with adjusting the mask, so it covers the luminosity ranges that you want. One of the really powerful features of the Luma Range tool is that you can copy the luma range mask from one image to another, and the mask effectively adapts to the luminosity values in the target images.

To copy the luma range mask to multiple images begin by creating the luma range for the first image. To select the other images you want to apply the luma range to, hold down the shift key and click on the images to select them.

Next, simply shift-click on the copy and apply icon in the layers tool to copy the luma range mask to the other images. As you can see the mask will look different because the luminosity values in the other image are different.

In the Luma Range dialog that appears, you should then click on the remove button to get rid of the Luma Range for this particular layer. The Luma Range tool is very flexible, and especially the possibility to copy luminosity based mask across images opens up new opportunities for fast editing of multiple images.

The Luma Range tool opens up for a new level of precision when it comes to creating masks for your adjustments or adding styles selectively to your image in Capture One. I make sure that you get the best articles about photography.

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Capture one pro 12 luminosity mask free download

 
 

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